John Alban Finch (1929-1967), by E. Fogel.
Wordsworth's two-handed engine, by J. A. Finch.
On the dating of Home at Grasmere: a new approach, by J. A. Finch.
The ruined cottage restored: three stages of composition, by J. A. Finch.
Michael and the pastoral ballad, by S. Parrish.
Wordsworth and Coleridge: some early matters, by R. Woof.
The satiric voices of The prelude, by F. T. Swetnam, Jr.
Wordsworth and his children, by M. Moorman.
The original Salisbury Plain: introduction and text, by S. Gill.
The prelude as a portrait of the artist, by M. H. Abrams.
The idiot boy, by M. Jacobus.
Wordsworth today, by B. Willey.
The speaker of The prelude, by M. Reed.
A letter to [Astra] by D. Pirie.
The novelty of the Lyrical ballads, by J. E. Jordan.
Some sidelights on The prelude, by C. Landon.
Cynthia Morgan St. John and her collection, by G. H. Healey.
Meaningful obscurity: the antecedents and character of Rivers, by R. Osborn.
Two early texts: A night-piece and The discharged soldier, by B. Darlington.
The climbing of Snowdon, by J. Wordsworth.
