Vision's immanence: Faulkner, film, and the popular imagination

Adorno's modernism and the historicity of popular culture

"Some quality of delicate paradox": sanctuary's generative conflict of high and low

"Get me a nigger": mystery, surveillance, and Joe Christmas's spectral identity

"Some trashy myth of reality's escape": romance, history, and film viewing in Absalom, Absalom!

Screening readerly pleasures: modernism, melodrama, and mass markets in If I forget thee, Jerusalem

Modernism, jail cells, and the senses.