Acknowledgments Introduction
Modernism, masculinity and, sexuality in Nijinsky's L'Aprs-midi d'un faune / Ramsay Burt
Rethinking Temporality: intertextual plays within and between discourses of space, time and performing bodies / Valerie A. Briginshaw and Ruth Chandler
Façade, Elvis Legs, and the humorous pleasures of dancing / Ramsay Burt
Napoli and Palermo, Palermo: cosmopolitanism and energetic excess / Ramsay Burt
'Don't mention Busby Berkeley': a re-assessment of Lea Anderson's Yippeee!!! / Valerie A. Briginshaw and Ramsay Burt
Corporeality and materiality in Pina Bausch's Tanztheater: notions of the Irreparable) / Valerie A. Briginshaw
Interview with Peter Pabst, Sadler's Wells, London, 2 February 2002 and Cologne, 22 February 2008 / Valerie A. Briginshaw and Ramsay Burt
Interview with Meredith Monk about Turtle Dreams (Cabaret) / Valerie A. Briginshaw and Ramsay Burt
Danced testimonies of the traumas of migration / Ramsay Burt
Sensation and memory in Emilyn Claid's Remember to Forget (2003) and Gilles Deleuze's discussion of Francis Bacon's paintings / Valerie A. Briginshaw
Affective Differences and Repetitions in Both Sitting Duet / Valerie A. Briginshaw
What the dancing body can do: Spinoza and the ethics of experimental theatre dance / Ramsay Burt
