Perverse spectators: the practices of film reception

Modes of reception

The perversity of specators: expanding the history of the classical Hollywood cinema

Writing the history of American film reception

Hybrid or inbred: the purity hypothesis and Hollywood genre history

The romances of the blonde Venus: moveie censors versus movie fans

The cultural productions of A clockwork orange

The places of empirical subjects in the event of mass culture: Jeanie Bueller and ideolgy

Finding commmunity in the early 1960s: underground cinema and sexual politics

Taboos and totems: cultural meanings of The silence of the lambs

Hitchcock in Texas: intertextaulity in the face of blood and gore

Securing the fictional narrative as a tale of the historical real: The return of Martin Guerre

Cinematic shots: the narration of violence.