Willa Cather and modern cultures

Willa Cather in and out of Zane Grey's West / John N. Swift

Thea's "Indian play" in The song of the lark / Sarah Clere

"Jazz age" places: modern regionalism in Willa Cather's The professor's house / Kelsey Squire

Changing trains: metaphors of transfer in Willa Cather / Mark A.R. Facknitz

Chicago's cliff dwellers and the song of the lark / Michelle E. Moore

Willa Cather and Henry Blake Fuller: more building blocks for The professor's house / Richard C. Harris

Cather's "Office wives" stories and modern women's work / Amber Harris Leichner

It's Mr. Reynolds who wishes it: profit and prestige shared by Cather and her literary agent / Matthew Lavin

Thea at the art institute / Julie Olin-Ammentorp

Art and the commercial object as ekphrastic subjects in The song of the lark and The professor's house / Diane Prenatt

"The nude had descended the staircase": Katherine Anne Porter looks at Willa Cather looking at modern art / Janis P. Stout

"The cruelty of physical things": picture writing and violence in Willa Cather's "The profile" / Joyce Kessler

"Before it's romanzas have become street music": Cather and Verdi's Falstaff, Chicago, 1895 / John H. Flannigan.