The science and art of Renaissance music

MUSIC IN THE SIXTEENTH-CENTURY: A Sixteenth-century attempt at music criticism

The courtier as musician: Castiglione's view of the science and art of music

Cosimo Bartoli on music

ASPECTS OF RENAISSANCE MUSIC THEORY: The frontispiece of Gafori's Practica Musicae (1496)

False relations and chromaticism in Sixteenth-Century music

Zarlino's definition of fugue and imitation

Lessons in theory from a Sixteenth-Century composer

Josquin as interpreted by a Mid-Sixteenth-Century German musician

ON THE ITALIAN MADRIGAL: The Note Nere Madrigal

The "Madrigale Arioso": a mid-century development in the Cinquecento Madrigal

Giovanthomaso Cimello as madrigalist

ANTONFRANCESCO DONI: WRITER, ACADEMICIAN, AND MUSICIAN: Notes on the Dialogo della Musica of Antonfrancesco Doni

A gift of madrigals to Cosini I: The Ms. Florence, Bibl. Naz. Centrale, Magl. XIX, 130

The Libraria of Antonfrancesco Doni

RENAISSANCE MUSIC IN NINETEENTH-CENTURY EYES: Berlioz and the "First Opera"

Music of the Renaissance as viewed by the Romantics.