The captivity narrative tradition and Hollywood film
Resisting rescue: The problem of the captive's agency in The Searchers
The captive's return and the limits of community in The Unforgiven, Two Rode Together, and Comanche Station
Making a name for himself: The captive as adopted son in A Man Called Horse and Little Big Man
The captivity plot and the politics of postmodernism in Taxi Driver
The rescue mission and the recuperation of the hero in the Vietnam War film.
