1. Introduction: Technology, Consumption, and Musical Practice
2. The Industrial Context of a "Revolution" in Marketing and Design
3. Invention and Innovation in Electronic Instrument Design
4. Consumption and "Democratization": Digital Synthesizers, Sounds, and MIDI
5. Music Periodicals, the Instrument Industry, and the Musicians' Community
6. Communication Networks and User Groups: A Musical Democracy?
7. Music/Technology/Practice: Musical Knowledge in Action
8. The New "Sound" of Music: Technology and Changing Concepts of Music
9. "Live" and Recorded: MIDI Sequencing, the Home Studio, and Copyright
10. Conclusion: Toward a New Model of Musical Production and Consumption.
