Weimar cinema: an essential guide to classic films of the era

Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920) / Stefan Andriopoulos

Of monsters and magicians : Paul Wegener's The golem : how he came into the world (1920) / Noah Isenberg

Movies, money, and mystique : Joe May's early Weimar blockbuster, The Indian tomb (1921) / Christian Rogowski

No end to Nosferatu (1922) / Thomas Elsaesser

Fritz Lang's Dr. Mabuse, the gambler (1922) : grand enunciator of the Weimar era / Tom Gunning

Who gets the last laugh? : old age and generational change in F.W. Murnau's The last laugh (1924) / Sabine Hake

Inflation and devaluation : gender, space, and economics in G.W. Pabst's The joyless street (1925) / Sara F. Hall

Tradition as intellectual montage : F.W. Murnau's Faust (1926) / Matt Erlin

Metropolis (1927) : city, cinema, modernity / Anton Kaes

Berlin, symphony of a great city (1927) : city, image, sound / Nora M. Alter

Surface sheen and charged bodies : Louise Brooks as Lulu in Pandora's box (1929) / Margaret McCarthy

The bearable lightness of being : People on Sunday (1930) / Lutz Koepnick

National cinemas/international film culture : The blue Angel (1930) in multiple language versions / Patrice Petro

Coming out of the uniform : political and sexual emancipation in Leontine Sagan's Mädchen in uniform (1931) / Richard W. McCormick

Fritz Lang's M (1931) : an open case / Todd Herzog

Whose revolution? The subject of Kuhle Wampe (1932) / Marc Silberman.